the candle family are a musical duo brought together by the sound of love, and also, a love of sound. sharing their mutual admiration for isaac hayes, barry white, marvin gaye and a great swathe of obscure disco records, the candles not only intermingled musically, but also romantically.

para one returns will the next single from his brilliant album >passion<, following on from previous single ep >lean on me<. >when the night< is a slice of futuristic, soulful disco.

this ep picks up where those moments left off. windfall and lied are killer non-linear batty disco infused house jams that set dancefloors alight while try the impossible and in public are deeper jams for the more serious moments of club emotion if you can put it that way. a rare future classic club twelve inch for our deejay friends.

manhattan 85 is a funk driven affair of disco-led house. dabbling in a melange of sounds from classical strings to techno bleeps and vocal samples, the build-up to some complex layering is arranged seamlessly into feel-good, tuneful house that will lift any room.

2012 saw waze & odyssey roll onto the scene with their debut release on pet food recordings. since then they have gone on to put music out on labels such as wolf music, body work music, sccucci manucci, trunkfunk, sinq records, disco bloodbath and sunday best.

munk remix! oliver remix!... killer italo disco anthem , tipp

supported by: the climbers, toky, los suruba ,kolombo, skam, dirt crew and many more

feverish new eaux release, limited white vinyl 1st edition, printed disco bag. although rroses alma mater record label sandwell district may now be defunct, the actively ambiguous american producer shows no signs of slowing down. after launching his own experimental techno label eaux earlier this year and making true-to-name appearances dressed as a sophisticated, chic female, rrose has continued to pursue elusiveness while ironically garnering an enthusiastic following amongst techno purists. without a doubt, the release of > wedge of chastity< will further reinforce the sonic niche that the eaux label has carved out for itself.

vinyl only! masterpiece! santiago and thomas are back on total life music with a fresh 4 track vinyl only release. two house tracks with old school touch for the dancers and two disco gems for the dreamers.

continuing their forays into the world of yesteryear grooves unabated, those pesky hell-dwelling lumberjacks are at it again, this time drafting in o boogie and red greg for some disco funk finesse for the smoothest get-downs. o boogie lords it over the first side, leaning heavy on a rich piano hook that hammers lower register chords over an incessant disco tick, while evergreen track >papa was a rolling stone< gets re-versioned in such a floor-burning fashion you will need asbestos boots just to get out alive. red gregs >inner rhythm< plies familiar tropes into a sweet instrumental groove that makes all the right moves.

psychemagik return to their disco imprint label discotheque wreckers with a fresh new 12inch of unknown nuggets and killer edits. the first cut what a funky night as the title suggests is a raw funky disco floorfiller, a freaky blend of euro rap and oddball new wave femme vox, from austria of all places, the b side rounds off the 12inch perfectly with a dubbed out, arpeggiated krautrock jam, with freaky vox, funky guitar licks and nasty ass drums makes this an essential crate dweller!

ltd to 250 copies, through their label cocktail d amore, discodromo and boris offer you thefirst 12 from studio luce. studio luce is berlins newest musical collaboration bringing franz scala and dimitri soemotional together to explore the sensitive pulse of dance music. their roots are synth funk, 80s modern soul, new wave, electroand old school disco. the original track is called defender x and can be described as a funktrack with a contemporary digital touch. surrounding it, toby tobias and tuff city kids (gerd janson and lauer) provide their interpretations. while toby develops his version in a 2- part remix made of dubby chord stabs, a deep rolling bassline and an excellent meticulous production,tuff city kids opt for a warm bassline, very tight drum programming, shimmering trancey synth and a catchy house-chords progression right tothe last breakdown

a friend of us called max josef did this little soul house jam. and as all the gomma dj has been playing this at almost every gig and so many people have asked for it - we thought it might sense to give it a little vinyl release now. you can play this at a minimal party or a disco place. at 10, in the peaktime or at 5.

#5 in a series of releases made to have an excuse to throw a party. a release party is thrown in edmonton, canada at >the common< and records are given away to the attendees. a limited amount is distributed afterwards. 500 pressed, etched and hand stamped.

freak on opens the release, and with a nod to funk and soul incorporated through wah-wah guitar licks, bright piano chords and a modulating electro bass.
bitter sweat is up next, employing a grittier more modern mold with a hooky electronic bass, an amalgamation of vocal chops, and disco house chords driving the track.
kyodais remix of freak on follows and the berlin based spanish duo deliver yet another enthralling piece of music, its not often heard in this day and age but kyodai have managed to give a nod to the 40s musical era with style and precision, here in modern-day house music.
electronic music veteran john tejada closes the release with a stellar rework of >bitter sweat< gleaming with analogue sparkles with a dubbed out house feel with background delays and reverb tails building a deep-set atmosphere.

slowly building, soul-soothing, and disco-fuelled house with a nod to both the great masters from chicago and the new electronic breed. lisbon producer and lux resident ramboiage likes to take it slow to take things further. >del fuego< kicks off modestly with a simple beat and some light percussion, creating and eerie mood. but then some tasty, disco-fuelled heavy house kicks in, and the tune starts to roll unstoppable, riding on a horn hook. funky like a train, as the mighty equals would say. spanish om records darling al velilla steps up the pace a little bit and lets the original float over some tasty discohouse beats and eighties-flavoured synths.

despite the advent and cari lekebusch being two of the most enduring names in techno, the release of sonic intervention is the most high profile product to date of a working relationship that has that has spanned almost the entire history of techno. something of a landmark for all concerned, not only is it the first full-length album from the advent since 2005 s t.r.i.n.i.t.y long player for berlin s tresor records but for h-productions and its founder, the project is the highlight thus far of the labels resurgent release schedule. as lekebusch commented, to have known and respected cisco and his music or so long it was of course a great moment to get to release this album. the blend of old and new styles with high caliber the advent production has created a strong album with depth and variety that i think new and old fans alike will really enjoy .

long time disco sorcerer ray mang has taken mirador de las estrellas to a beautiful place, utilizing the steal drum as a hypnotic hook and editing jorge socarras memorable spanish vocals down to an effective sigh. if there ever a track for your indian summer, this is it. on the flipside, the boys from cage & aviary sprawl out the original extended version of their tough and dubby bonus beats (this bomb is exclusive to this vinyl release). if you know whats best, youll not sleep on this one there is nothing more pleasing than completing a set.

here is ditongos new boogie. for your family business! ditongo is the batongos alias for disco editing, less obscure, more groovy. not much is to be known about batongo, previously an active euro dance producer, released a bunch of hits in the nineties. 10 years ago, after a traumatic experience he escaped in perù and retired from the music business, during this years, on his spare time he made a lot of music, not meant for the public, just for himself. now he is still in perù, not willing to move back to europe but barely broke, he sold us the rights on his entire collection of unreleased recordings with the condition of not revealing his real identity. we will unveil a series of eps ranging from obscure deep to psychedelic disco.

after great collaborations with purple disco machine, stereofunk and zer, compact grey drops his first solo-single on his own imprint gris musique. bane is great tech house floorkiller which bassline reminds a bit on a huge classic-electronic tune. the single comes with two big remixes from ron co...

limited white coloured one sided edtion, flipside is handsprayed!venetian disco master bottin comes with the 2nd release on his newly launched tin imprint!

excellent phunky chicago / disco house madness

big with: deetron, jerome sydenham, steve rachmad, mark henning, kate simko, max cooper …
with more than 15 years of djing experience headlining alongside djs such as kink, steve lawler, adam beyer, clive henry, nathan coles, dave angel and nicolas matar, niguel has performed at established club venues such as zouk singapore, del disco in seoul, axd in taipei and london calling in tokyo. niguel has also headlined at iconic events locally, asian tv awards post party and festivals regionally independance @ genting highlands and pacha ibiza party @ nbc, manila, never failing to work the crowd.

soul 223, a seasoned producer with releases on delsin and souljazz under his belt as well as having a significant pedigree releasing as stasis on peacefrog in the ninetees. eastern promise is a fine balanced ep covering deep sample based jams, spacey disco grooves and sunshine laden strings

mit freestyle lover vermengt berman gekonnt die schnittstellen von electro, postpunk, new wave und disco. genau so wie es seine vorbilder aus dem alles-geht-new york der späten 70er vorgemacht haben.

handnumbered with handmade spraypainted artwork. strong limited. the >times are ruff< label kicks off with a collaborative split ep by the larry de kat and the label-collective times are ruff themselves. >no dough, just cookies part 1< is a disco-fused tool for the experienced dj and/or obscurity collector, a ready for the dance-floor as for that sunday afternoon podcast. limited copies available for this first release, and there will be no repress. so catch these cookies while they are still fresh from the oven..

esls french connection, music producer extraordinaire, chris joss, is back with a blazing new 7 inch.
side a brings us >toxic smoke<, a dance floor killer. its what happens when afrobeat and disco spawn a mutant lovechild. sure to get the floor jumping. no toxic smoke, only vapor!
side b >sequence of spectators< is a tribute to an old french tv show. the theme song was a big inspiration to chris as a child and this song is his twist on it. driving afrobeat-inspired grooves provide the base for powerful horn and key lines. a solid groover.

tone control music proudly introduces our new signing thatmanmonkz. this debut ep, the man explores detroit inspired deep house with jazz, disco and soul influences apparent throughout. several tracks feature vocalist and multi-instrumentalist, pete simpson (sunburst band) while title track, the man takes a heavier sampler/drum machine based route for darker tastes. ross orton (arctic monkeys/m.i.a.) helps out on mix duties to complete this steel city showcase.

bastard jazz is proud to present the debut ep from brussels based production duo eric p & luigi aka monkeyrobot. coming to light through their work as 74 miles away (melting pot music) and tall black guy, who selected their standout >basement infusion< track to be on his tempo dreams compilation album (released in june on bastard jazz), and alliance between the label and m.r. seemed natural.
here on their self titled 12 inch, monkeyrobot deliver four diverse tracks that showcase their skills behind the boards, the keys, with a keen ear for the dancefloor. kicking things off, >brick stomach< is a synth-heavy four-to-the-floor 120 bpm joint that comes off like a floating points visit back in time to 1980s detroit with its rolling snares, arpeggiating synth bassline and cloudy pads. next up, >northern light< filters shimmering space disco vibes through big, thumping instrumental hip-hop drums and moody analog bass. on the flip, >rose gris< takes things in a funkier direction at 100bpm with its syncopated drums, irresistible lead, squelching bassline and all manner of synthesizer explorations. rounding off the ep is >last days<, which still manages to inject a funky 80s analog sound into its melancholy downtempo vibes.

new kanada enters the fall 2012 season with some dark angular acidic house. black and medleys >roll the dice< - featuring the voice of rosina – is an old-school blend of disco, ny house and classic toronto warehouse vibes. slightly acidic, with its bubbling juno bassline – and slightly techno with the driving, repetitive beat – this house track should rock the deepest of dancefloors. file somewhere between henry street and early adonis. 5am - no earlier. for the flipside, adam marshall sits down at the controls for a clinical, tight, stripped-down scrubbing, turning the original into a late-night fear edit. broken, diffused drums and lots of black empty space in this one. the lights go out – blackout.

vienna based dj and producer roman rauch doesnt like to compromise. hes constantly pushing his musical boundaries: house, techno, disco, funk. rr mixes the shit together like on his full 12? for quintessentials! keeping a raw edge on all 4 tracks, roman still provides club appeal. yes, we think hes talented, thats why he already released on philpot, endless flight or tenderpark. may the haus be hoch!

vinyl only - like a child is a lead single from upcoming debut album journey by rising lithuanian producer mario basanov. it features vocal and song writing skills of young and unknown american talent athena radford and tells another peculiar modern day story where trans atlantic virtual friendship ends up with a sincere collaborative song of utmost and almost otherworldly beauty. elegantly packed together with remixes from viking disco don prins thomas, top ukrainian producer eugene filatov, and silence music associate few nolder like a child is a little gem to have and to hold.

whether it is deep, tech, percussive, disco, chicago or minimal, ray okpara doesnt leave any sub-genre out of the pool. in a lucid representation of himself, ray delivers an 11-piece bundle of soul lifting, mind and body empowering dance tracks under the core title, good times.

excellent 80s / nyc influenced disco

after the glowing success of seven black 001 by autodeep, deepchild and eddie c, seven black continue to drive forward with yet more quality.

to celebrate the rerelease of the three classic to rococo rot records on city slang between 1997 and 2001, we have asked two friends and fans to rework their favourite tracks of these albums.
four tets kieran hebden chose the brooding minimal collage >he loves me< from the bands 1997 archetypal release >veiculo< and, like a prism in singular beam of light, his remix reveals the songs true glistening content.
mute label founder and longtime to rococo rot afficionado daniel miller teamed up with london based producer gareth jones to give >cars<, from the bands impeccable second album >the amateur view< a compassionate modification into a ... well, lets call it a krautrock disco truck.
the 12 inch will be limited and only available for a short time.

after a small hiatus matthias vogt and c-rock finally got back together in the studio to present another motorcitysoul masterpiece and convincing follow-up to last years carry on single. the song features conspicuous vocals by the drumming singer-songwriter phil fill making it an eager and exhilarating confession to the playground love. the remixes of lithuanian standout producer mario basanov contribute pure dancefloor magic. while the vocal remake offers a sentimental 80s disco feast, the remix version is riding his distinctive vilnius deep house vibe. a promising foretaste to basanovs upcopming full length album journey.

following his debut on dirt crew with the contribution to our deep love 2? compilation last month rotterdams ben la desh presents his first full lenght ep. 4 blistering and deep grooving tracks that mark his style somewhere between disco, 90s and chicago house. he first caught our attention with great releases on the outernational label and since then we have supported his sound in our sets. slow and deep is the game here.. enjoy!

nice price deal !!! aÑa / henning baer / norman nodge / musk.... no one knows exactly how, or why it happened. we can only postulate. perhaps it was rogue hydrogen atoms causing havoc again, or a particularly voracious wave of em radiation hell bent on finding a good time. the point is, (in those days) such lude behavior was simply unacceptable: aÑa had become excited, too much so for the solar stiffs that swirled about her. and that system of hers—always buzzing around, refusing to share anything—it had to go. so both were exiled from that collision patch they called home, leaving aÑa and her system to wander the cosmos. some years passed. aÑa grew a little, but mostly she practiced her basswalk—not this girly swooshy thing with your hips, but a real bolshy bovver boot stomp. after a while she got pretty good at it, she wanted to show her friends. maybe theyd like to basswalk too. well, they couldnt get enough of it—but no one did it quite like aÑa. henning baers had a bit more groove to it and this whole new tweaky hat element. norman nodge kept his pretty punchy, but all that time spent in berghain had turned his basswalk into a bit of a skulk. as for musk, the boys inverted the whole thing of course—turned a disco trick, shifting the march down into more of a slinky house glide. aÑa liked them all so much—and it was time isolated system stopped being such a separatist—she decided to gather them all together to make basswalker part i. now you can basswalk too

after bringing together the extended family for retrospective s first showcase compilation, label co-founders and curators ruben & ra follow up with a 4-tracker from the revered glaswegian disco duo, slow it down and the london-based house veteran elijah collins. alright, inspired by nv s classic from 83, marks a collaboration between slow it down & elijah collins. following on from the trio s reworking, there s a ruben & ra remix that layers nv s vocal sample over original analogue riffs and a weightier bassline. having recently featured on the yam who?s midnight riot vol.2 compilation, i dont need pumps cherelles affair forward by 3 decades, before the janet jackson-sampling tramadol boogie completes the flipside in fine style. finally, a big thanks to yam who? for sanctioning the inclusion of i dont need ...

tom thorpe & bonar bradberry aka pbr streetgang have propelled themselves to the forefront of uk house and disco in recent years while eschewing the parameters of either style, so it is no surprise they are turning up on bristol institution futureboogie recordings with banging dose of acid house frolics, the double boogie ep. leeds hero burnski gives a-side n-h-n his special groove over on the flip.

after selling out all previous releases to elite djs and collectors worldwide, the highly mysterius artifact imprint is back to its original aim, that is crafting obscure sonic weapons for disco ninjas! a side 15 minutes is credited to milanese crew love supreme and it is a mesmerizing disco rock rework that builds up to a climax that takes no prisoners. bottin has been playing this to massive dancefloor slaughter and has finally decided to share the blame. on the flipside speed is an enthralling car chase or grand prix if you wish, with throbbing bass, lasers and cowley-esque synth stabs, while frisbee is a rare italo groove, a funk gimmick topped by acid synth patterns, a latin lover voiceover and packs of sultry italian girls chanting >disco! disco!< and definity getting what they are craving for.

the seven tracks on this lp or the eight on the mixed cd (including two bonus tracks) owe as much to the traditional methods of house or techno and extraterrestrial disco (i shipped around the s-word here) as they disregard it and they are as characteristic to thomas studio space (i used thes-word here) and his sound aesthetics as they are to his infinite will to surprise

the bank ist ein trio, bestehend aus francesco brini, domenico emanuele loparco und zullo. ernsthaft gute musiker mit viel liebe zu afro & dub. diese jungs bereisen die welt als backing-band für sänger jeff jones, ein gründungsmitglied der kanadischen rockband rush. francesco brini hat bereits einen beeindruckenden musikalischen katalog, als frank agrario nimmt er für das prins thomas label internasjonal auf und agiert als schlagzeuger für die elektronischen pioniere swayzak. the bank ist getränkt in vintage aufnahmetechnik, jedoch mit einer aktualisierten produktion, die jede tanzfläche befriedigen kann.

powerful disco 10 inch vinyl !!

paul müller introduces himself with a record that sports class and mass alike. its mass is easily explained: it sports three superb remixer. what tells better than some good old namedropping ... jori hulkkonen, lauer and matt walsh. these guys and paul müller are the ones responsible for the releases class by delivering great tracks ranging from tech-house to disco - and whatever you may call joris sound.
early love by: chlo e, the hacker, justin robertson, brodinski, luciano, mandy, maceo plex, laurent garnier, tim sweeney, daniel avery, chaim, crowdpleaser, troy pierce, robert owens, x-press 2, james teej, headman, phonogenic, xenia beliayeva, remain, jeremy p. caulfield, bonar bradberry, wally lopez, alex niggemann, funk d void, mugwump, tim paris, clive henry, shir khan, bubba, bozzwell, tornado wallace, kid who, hannah holland, maxime iko, doomwork, disco bloodbath, silicon soul, slok, richy ahmed, luca c, dj three, justin sloe, the saint and many more ...

now this is what you can call great fun. amidst all the numerous releases somewhere between funky house and uplifting disco arrives finally a record again that will reach consensus transcending genres.

zweite maxi des leipziger produzenten ron deacon auf farside. ron deacon hat zuletzt mit seinen releases auf aim, falkplatz, workshop oder team fuer reichlich wirbel gesorgt. nun legt er mit in temptation seinen bislang kraftvollsten dancefloor-hit nach - simpel, effektiv, auf den punkt und dazu bestimmt, jeden club auf dieser welt auseinander zu nehmen. unter den weiteren tracks dieser maxi befindet sich auch ein toller remix von ingo saenger und henry l, die aus dem hypnotisch-deepen did you know ein funky disco-tool gemacht haben.